Hack & Glitch

glitched art through processing. original art by: Yukihiro -Jin

Art From Code: Response to Vera Molnár

At first glance, Molnár’s series Lettres de ma mère was reminiscent of what Agnes Martin had created: systematically repetitive penciled grids. However, deviation soon arose, for the technique of gradualism (minute change in one parameter per iteration) enabled progression towards…

Art From Code: A Noisy Meditation

This semester was the first time I really spent time learning to make art on a computer. Whenever I thought of art, I thought about the common mediums such as sculpture or painting and I never thought that something emotive…

Hack & Glitch

The Pictel Glitch of a single red pixel —Max

Hack & Glitch

Golem —Max

Conceptual Art: Finding a Form

One of our first larger assignments in Conceptual Art was to collect evidence of a concept or idea and apply three different forms to the same evidence. My process of finding a form was a difficult one, stemming from my…

Art From Code: Molnar’s Gradualism and the Quest for Mathematical Beauty

I am not very good at math. Some would say that I am, in fact, a menace when it comes to anything more than simple addition. However, I am constantly fascinated by the way math and art combine in code,…

Hack & Glitch

lossy JPEG compression -corin hopkins

Hack & Glitch

Romhack- scrambled colors -Silas

Art from Code: Molnar and Repetition

My previous article (Art from Code: Time, Space, and Spacetime), analyzed the heavily debated question: is computational art really art? If we dig deeper into the debate between computer generated art and conventional art, we’ll find the more nuanced argument…

Art From Code: A Response to Vera Molnar

After reading about Vera Molnar’s art making process of starting with a base code and then altering one aspect of the code (a variation of one parameter), I have come to view repetition in a new way. I’m realizing that…

Hack & Glitch

Self portraits – BC replaced with AD -Max

Hack & Glitch

-tom

Art From Code: Understanding the works of Vera Molnar

Working in the realm of computer designed art using coding opens your eyes to a new world of possibilities because any idea you form can be presented digitally with a few clicks of a button. Anything your creative mind desires…

Art From Code: A Response to Vera Molnar

Repetition can be tedious, like when you’re working at a desk every day. It feels like you’re doing the same thing over and over. However, repetition can become something great, like when you go for a walk every morning. From…

Art from Code: Molnar Gradualism

The repetition of each loop I created are not dull and monotonous purely because they are repetitive in their nature. Instead, they are creative and lend themselves to meaning with each repetition. They grow and build off each other to…

Art from Code: Understanding Repetition and Routine through Molnar

The word repetition dates back to Latin roots and by defintion, it means the action of repeating something that has already been done. Molnar’s practiced style of repeating is similar to a pyshcological idea Freud presented in 1914. Repetition Compulsion…

Art from Code: (a modern display of the brush)

As I began to work with Processing, the Javascript code animator application, I began to understand a different language. At first, I was able to pick up the basics easily. I understand the fundamentals of code because, like any mechanism,…

Art from Code: Molnar Inspired Pattern

Generating patterns through computer programming gives you the feeling that you are cheating. I am not sure who or what you are cheating, but making different iterations of designs in seconds pushes artistic creativity to a new level. When I…

Art From Code: The Early Experiments

In the beginning… What both terrified and intrigued me most about the concept of Art From Code was the prospect of using a complex and computational software to create something that I love: art. Before ever embarking on this journey,…